Cleveland Circle Streetscape Plan
Public Art Component and Early Action Item
Questions & Answers
1) How is the Streetscape project funded,
and what is included in the project?
The Streetscape Plan is funded through a $100,000 Supplemental Appropriation of the State Legislature that is administered
through the Massachusetts Historical Commission (MHC). The legislation calls for "a comprehensive master plan for the Cleveland
Circle neighborhood and the initial implementation of such plan." The plan includes measures for pedestrian safety, traffic
circulation and streetscape improvements. Also, public art is an important component of the plan.
2) What is the Early Action Item (EAI), and what is its location?
The EAI is a streetscape enhancement that is required as a first step in implementing the streetscape plan. The intent
is to support the overall streetscape design by creating a tangible and immediate improvement. Since the budget for the EAI
is quite limited, the scope of the EAI reflects that fact.
At the public forums conducted last year, residents expressed interest in an informal entrance and connection to Cassidy
Park. The design team developed a symbolic gateway to serve as a transition point between the urban nature of the Circle and
the pastoral park setting. Several design iterations were presented to the Streetscape Plan Steering Committee and at two
public meetings. The project consists of a carpet of ornamental brick pavement flanked by granite bollards and landscaping.
The EAI will be located at the corner of Cassidy Park near Beacon Street.
3) How was the site for the Early Action Item determined? Who determined it
and under what authority?
The site was selected based largely on location. Since many pedestrians enter the park near the ball field, the location
is a logical transition between the Circle and the park. An important criterion for the EAI was to choose a site that would
not be disrupted as a result of future streetscape improvements. The steering committee also consulted with the Boston Parks
and Public Works departments to satisfy their criteria. The design and site rationale were presented at two public forums
in spring 2002.
4) What is the public art component of the Streetscape Plan, and how will
it be implemented?
When the steering committee selected The Cecil Group as the design consultant for the streetscape plan, one task in their
proposal was to create a vision for Cleveland Circle that included public art as part of the final design. The selection and
design of art objects would be developed under the direction of a professional artist or team of artists with participation
from the community. Based on her noted experience as artist, teacher and consultant, The Cecil Group recommended Mags Harries
to guide the public art process, and the steering committee concurred.
5) Why can't the community just decide on what art it wants and where to place
it?
Without the direction and abilities of professional artists who have worked successfully in public art installations, it
is likely that the best results would not be achieved. Also, it is necessary to have artist(s) collaborate with he Cecil Group
in the overall plan for Cleveland Circle so that all design components work well together. Furthermore, for the design and
implementation of art elements to have strong funding leverage with foundations that support public art projects, the ideas
put forward need to be credible in the view of the grantors.
6) What would the public art component consist of?
The focal piece will be the main object of the public art installation likely
with a night and day presence that is reactive to the continual motion within the Circle. It is envisioned as the most significant
element in the overall plan, and funds have been secured for its design. (The project is funded in part by a grant
from the Fund for the Arts, a restricted fund of the New England Foundation for the Arts.)
The focal piece will be one of several art elements to be designed as part of an overall plan for public art within the
context of the recently completed streetscape plan. There are some eleven proposed locations that are presented in a notebook
of Art Alternatives for Cleveland Circle by Mags Harries. These alternatives are merely ideas or possibilities.
Actual choices will be developed in a collaborative manner with selected artists and the community through a public process.
7) What is the difference between the focal piece and the Early Action Item?
The focal piece differs from the EAI contractually and in both scope and design. The EAI is a funded component under ARCAs
contract with MHC. It is a decorative streetscape element and not an artistic element. The EAI budget is limited to $25,000.
The cost of the focal piece is substantial and funds have not yet been secured. Possible funding sources for fabrication and
installation have been identified. However, the focal piece cannot be installed until the streetscape design is constructed.
8) Who will decide what the other public art pieces will be and how they will
be funded (other than the EAI and focal piece)?
The decision and actual selection of the public art will be accomplished through community participation and ultimately
by a panel of jurors comprising art professionals and members of the community. The steering committee is working with Mags
Harries to develop funding sources.
9) Can the site designated for the Early Action Item or focal piece be used
for other (different) artistic works?
The design and location of the EAI have been selected through a public process. The site for the focal piece is the preferred
site of the consulting teams artist, Mags Harries. There will be opportunity for the community to participate in the selection
of sites for other art elements.
10) What is the Marathon Spirit Memorial?
This is a memorial that is being proposed in memory of Cynthia Lucero, the runner who passed away near Cleveland Circle
in the 2002 marathon. Her running coaches, Rick and Lori Muhr, have established a committee to create a bronze statue and
have begun fundraising from private sources. At the same time, Jerry Collins of ARCA had suggested a marathon memorial, and
he is working with the Muhrs to advance the idea. Jerry is serving as liaison to the steering committee on the marathon idea.
Design and location of a marathon memorial will go through a public process similar to other art elements.
11) What is the time frame for the EAI, the focal piece, and the remaining
public art pieces?
If all goes well, the EAI should be finished this summer. The design of the focal piece needs to be finished in 2003 according
the supporting foundation, The New England Foundation for the Arts. Depending on actual items selected and their specific
locations, it is likely that art installations will not be possible until the streetscape improvements are built.
A copy of the Final Streetscape Plan report is also on reserve at the
Brighton Center Public Library.